Collectors and the Baroque: Highlights from the Latest Volume of the Colnaghi Studies Journal
On 5 February 2026, the Colnaghi Foundation hosted an evening panel discussion at 26 Bury Street, London, centred on two essays from Colnaghi Studies Journal 17 by Peter Humfrey and Timothy Revell. The discussion examined the reception of Baroque art through the history of collecting, from eighteenth-century British country houses to modern institutional and private collections, tracing how taste, attribution, and critical judgment have shaped the Baroque’s changing status over time.
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